Slave Narrative
Slave narratives were generally written between 1830 and 1860. They are autobiographical accounts of a slave's life, and generally their escape, which are/were part of the abolitionist movement.
Jacobs’ work received little attention before 1981 due to disputes about authorship that were laid to rest by a study of her letters. The authenticity of her writings and the events were established in 1987.
Characteristics of Female Slave Narrative (and male as well)
- Female slave narrative asks whether sexual oppression is worth than “merely” physical oppression and abuse. Women, unlike men, cannot respond via physical dominance, a staple of the male slave narrative.
- Female slaves engage in a war of words/wits rather than strength
- Lewd notes used to oppress Jacobs; harassment through letters; literacy taken for granted
- Male overpowering of master/oppressor generally a turning point in their journey to freedom
- Examines community and personal relations in contrast to the solitary male experience; communal effort at escape and salvation
- Mother’s relation to children holds her to the spot, compels escape
- Female slave narrative does not emphasize empowerment of becoming literate as does male slave narrative; literacy is of primacy in attaining freedom and identify in male slave narrative.
- Does not end with hero/protagonist reaching north, but shows how long arm of slavery reaches further, thanks to Fugitive Slave Law of 1850
- Genre concerns: Generally a sentimental novel of seduction and domestic novels with regard to female slave seeking to retain her virtue
- Introduces twist of sexual harassment
- Story does not end with marriage as would a sentimental/domestic novel
- Confronts sexual advances of a man/men of questionable morals, superior power, position and means
- Illicit sex versus well being (got in way of Jacob’s book being read as a slave narrative rather than standard domestic/seduction novel)
- Sentimental techniques deemed inappropriate and inadequate for a slave narrative
- Emphasizes disparity between writer and reader
- Undermines female purity by taking own lover
More on the slave narrative from Donna Campbell at Washington State University.