English 248 Syllabus

English 248(W): American Literature to 1865

Bradley Bleck
Office: 5-157
Phone: Office 533-3572
Class Time: 11:30-12:45 MTThF
Office Hours: 1:00 to 3:00 p.m. daily and by appt
email: bradbATspokanefallsDOTedu

Required Text: Lauter, Paul, et al. The Heath Anthology of American Literature. Vol. A & B (in one or two pieces); 5th ed.

In addition, choose ONE of the following texts (but not yet):
Crafts, Hannah. The Bondwoman’s Narrative
Fern, Fanny. Ruth Hall.
Melville, Herman. Typee
Southworth, E.D.E.N. The Hidden Hand

Official Course Description: This survey course examines major writers of the period including Taylor, Edwards, Franklin, Irving, Cooper, Poe, Emerson, Thoreau, Hawthorne, Melville, Whitman and Dickinson.

Unofficial course description: In this class we will read, discuss, and write about American literature and culture from before the earliest colonizers and settlers until the Civil War, roughly 1400 to 1865. In doing so, we’ll examine notions of Puritanism, the Reformation, Revolution, Romanticism and much more as we examine the role of literature and the shaping of a nation. In doing so, we’ll be looking at poetry, fiction both short and long, letters and essays to develop some understanding of America’s heritage. We will be exploring a variety of questions, including, but not limited to:

As members of the class, I expect you to completely read all material as assigned prior to listed discussion dates, to have completed journals, to take part in discussions, to write well developed argumentative essays that focus on the readings and topics under discussion and to complete assigned projects. You should budget at least 15 hours a week for the course (10 hours outside of class for reading, writing, and working). We will discuss any relevant topics that come to the fore as a result of reading in this class and you will be allowed similar latitude in your writing. Topics can be personal, historical, political, social, literary, or whatever.

I hope to help you enjoy and understand Literature, provide you will some tools for increased understanding of the literature you read (or at least an idea of where to find material that will help you increase your understanding), and help you to formulate and express your thoughts--written and spoken--concerning Literature. Keep in mind I am not some oracle of Literature. I prefer to explain what people do not understand and to provide background and context for the writings we will read and let you puzzle things out as much as possible. Don't expect me to lecture on and explain what writings "mean." I don't have all the answers to what we will read (assuming such answers exist). This does not mean that a piece of literature means whatever you want it to mean; interpretations need to be based on specific elements and their contexts within the text. However, I have considerable experience reading, studying, interpreting, and criticizing literature. This I will share with you.

Course Objectives and Grades: Intro to American Lit

Objectives

  1. To increase your understanding, appreciation, and enjoyment of literature in general and early American Literature in particular;
  2. Use the language and techniques of literary criticism when analyzing early American literature;
  3. Develop an appreciation of the skill and creativity of diverse authors of early American literature;
  4. Demonstrate an understanding of the history and development of American literature from the roughly 1400 to 1865 through historical, social, cultural, sexual and gendered contexts;
  5. Draw justifiable inferences about other races and/or cultures without stereotyping or use of ethnocentric bias through the study of diverse authors of early British literature;
  6. Develop awareness of the implications of race and/or culture when looking at moral problems and societal conflicts between pre-Colombian and antebellum eras in American as projected through early American Literature;
  7. Develop knowledge and understanding of America primarily, along with some of England, France, Canada and perhaps Africa as a culturally diverse societies as expressed through early American literature;
  8. Develop knowledge and understanding of other expressions of diversity such as class, gender, and/or religion in/through early American literature;
  9. Listen to and understand individuals and respond respectfully to their points of view;
  10. Enjoy reading and learning about the various incarnations of early American Literature and early America.

Grading

Let’s just say I hate grading, period. I like teaching, I like reading what you write, I like giving comments and suggestions on how to improve what you have written, but I hate putting a grade on your work. However, it’s something we are both stuck with. When I grade, my approach is to be as friendly as possible and give you the best grade that is reasonable given the work submitted. I also like to keep things simple.

Points

Literature Review 1: 100 pts
Literature Review 2: 100 pts
Tweets: 30 pts
Journals: 45 pts
Book Club Project: 50 pts
Final Exam: 50 pts
Daily Seminars: 125 pts

Should you choose not to come to class, your final grade will be lowered .1 for every absence after one week's worth. If you miss more than two weeks worth, you will very likely fail the course. If you miss no more than two classes, you will earn a 0.3 bonus if your grade is already at or above a 2.0 and you have fulfilled all course requirements.

Since a minimum of ‘C’ level work is required to transfer this class if you do not earn an AA before moving on to university, if I determine your writing to be of ‘D’ quality, that means you have a lot of work to do via revision to get the essay up to that level. If I determine your writing to be of ‘C-‘ quality, I’m saying I think your work is pretty close, but not quite there. If your work receives a ‘C’ I’m telling you that it could just squeak by. If your work receives a ‘C+’ or a ‘B-/C+’ I am saying that your work should succeed, but just barely and with little margin for error. For better or worse, the grading of writing is not entirely objective. However, neither is it entirely subjective. Your work will be evaluated and responded to by using particular guidelines that will be given with each assignment.

Department Grading Criteria

An "A" paper . . .

An "A" paper is not necessarily flawless; there is no such thing in writing. But it reflects a writer who is in full control of the material and the language.

A “B” paper has many of the fine qualities of an “A” paper, but . . .

A “B” paper reflects a writer still developing mastery over his or her material and style.

A "C" paper has a number of these characteristics . . .

A "C" paper will do: it's adequate, but it gives readers the impression of fuzziness or of the writer’s lack of assurance. Readers must work to understand what they are reading.

A "D" paper has has a number of these characteristics . . .

A “D” paper compels readers to work unnecessarily hard to comprehend the essay.

An "F" paper . . .

is unacceptable because it contains plagiarized material, shows a complete misunderstanding of the assignment whatever its quality, or its prose fails to meet the basic communication requirements of standard written English.

Particular criteria and expectations will be provided with each assignment.

Book Club Selections

The Bondwoman’s Narrative: Hannah Crafts eloquently details the experiences of a light skinned female slave in the South in the decades preceding the Civil War, describing the story of "passing" as a young slave working on a wealthy North Carolina plantation who runs away in a bid for freedom up North. Discovered in the form as an unpublished manuscript by Henry Louis Gates, Jr. it is believed that this is the first slave narrative written by an African-American woman from only her perspective. During the most emotionally difficult parts of the story, where mistreatment, death, and extreme cruelty are revealed, the author provides soothing relief for the reader through her faith in a loving, protecting God. tells the story of Hannah Crafts, Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time. Written in the 1850s, this is a provocative literary landmark and a significant historical event.

The Coquette: A cautionary novel written at the end of the eighteenth century describes the seduction and betrayal of a beautiful young woman, in this instance the semi-fictional Eliza Wharton. The novel tells the fictionalized story of the seduction and death of Elizabeth Whitman, a poet from Hartford, Connecticut. Written as a series of letters–between the heroine and her friends and lovers—it describes her long, tortuous courtship by two men, neither of whom perfectly suits her. Eliza is no ingenuous sixteen-year-old; she is past adolescence, has opinions, and wants more from her life than the narrow path that has been allotted to her. She agrees to an engagement she does not want because "both nature and education had instilled into my mind an implicit obedience to the will and desires of my parents," but also because "I saw, from our first acquaintance, his declining health; and expected, that the event should prove as it has." After her fiancé’s death, Eliza wavers between Major Sanford, a charming but insincere man, and the Reverend Boyer, a bore who wants to marry her. When, in her mid-30s, Wharton finds herself suddenly abandoned when both men marry other women, she willfully enters into an adulterous relationship with Sanford and becomes pregnant. Alone and dejected, she dies in childbirth at a roadside inn. Eliza Wharton was one of the first women in American fiction to emerge as a real person facing a dilemma in her life. Her death was the required literary ending of her time, but her dynamic, frustrated personality and the questions she raises about women's place in society make this both a cautionary tale and a critique of the world that made them necessary.

Our Nig: Ignored by critics upon its publication and "lost" for more than one hundred years, Our Nig was rediscovered and reprinted in 1983 and is currently considered to be the first novel by an African-American published in the United States. The tale combines elements of nineteenth-century slave narratives and domestic novels and defies the social conventions of its time by portraying interracial marriage, child abandonment, cruel Northerners, and an African-American heroine who is full of energy, intelligence, and imagination, bowed only by prolonged and arduous toil. The story begins with six year-old Frado, deserted by her white mother after the death of her black father and left to live as a servant with the Bellmonts. While some Bellmont family members are sympathetic, Frado is treated like a slave by the mistress of the house and her daughter. By the time Frado is an adult she fulfills duties in "all departments - man, boy, housekeeper, domestic, etc." One by one, Frado's allies are taken from her, replaced finally by a man with whom "she opened her heart to the presence of love" - and who then deserts her.

Ruth Hall is essentially Fanny Fern's (Sara Willis Parton) semi-autobiography, pretty much taken directly from her own life and experiences. The fictionalized autobiography that can be divided into three phases: Ruth's happy marriage, impoverished widowhood, and rise to fame and financial independence as a newspaper columnist.Ruth Hall loses her husband and is forced to deal with less than kind in-laws. Ruth is a talented writer and supports herself and her two children by writing newspaper columns. The novel recounts her attempt to rise above social and gender discrimination and expected gender roles to become one of the most successful writers (female or male) of her time. Fanny Fern is an often overlooked but important author.

Uncle Tom’s Cabin: Uncle Tom is a pre-civil war black slave, routinely trodden on due to his non-human status. Even with the luxuries he is given, he is continually reminded that his status before the law is only property-he has no rights, no freedom. Yet he always manages to unconditionally love his owners: the Shelbys, the St. Claires, and finally even Simon Legree. And in the course being sold and purchased, he changes the lives of many people around him. One moving example of Tom's love is toward Cassie. Once a beautiful and sophisticated woman, she is mercilessly abused as a slave and stripped of all her dignity. Through Tom's witness and sacrifice, her deep bitterness and hatred are melted away so she can love and be loved again.

Typee: Although initially rejected as too fantastic to be true, Typee  established Melville's reputation as the literary discoverer of the South Seas. Two common sailors jump ship and are held in benign captivity by Polynesian natives. The story primarily recounts the exploits of Tom, a runaway sailor, on the South Seas island of Nukuheva, from his capture by the Typees, by reputation a "fierce and unrelenting tribe of savages," to his daring escape when he realizes they have no intention of ever letting him return to his former life. Through the narrator's eyes we see a literate (if romanticized) portrait of the people and their culture presented in vivid, even scientific, detail. Melville's racy style and irreverence toward Christian missionaries caused a scandal, and critics denounced the narrator's suggestion that the native life might be superior to that of modern civilization. Typee tells the story of South Seas customs, rituals and society, while providing a provocative critique of civilized Western life.

248 Schedule

248schedule

Spring 2012 English 248: Introduction to American Literature before 1865

Preliminary Reading and Writing Calendar

Apr 2
Apr 3 Apr 4
Apr 5 Apr 6
Introduction and the writing process
Summarizing and annotating Essay format. Reading and annotating
Apr 9 Apr 10
Apr 11 Apr 12
Apr 13
Part One annotations due at start of class; introductions and conclusions.  Draft summary due for evaluation.
Response criteria/rhetorical Triangle Draft due in class for response.
Apr 16 Apr 17 Apr 18 Apr 19 Apr 20
Martin Luther King Jr. Holiday
Micro-revision in class. Bring printed draft to class for review.  Essay One submitted for grading by midnight. Submit as attached file. Essay Two Introduction.  Book Club Work Day
Apr 23
Apr 24 Apr 25 Apr 26 Apr 27
Part Two annotations due in class along with major detail summary posted in blog for one chapter Video analysis and Rhetorical Triangle

In-class writing and revision Book Club Work Day
Apr 30
May 1 May 2 May 3 May 4
In-class writing and revision and responses. Micro-revision in class. Bring printed draft to class for review.  Essay Two Due for grading by midnight; submit as attached file. Essay Three Introduction
Book Club Work Day
May 7
May 8 May 9 May 10
May 11
 Portfolio Conferences
Book Club Work Day
Portfolio Submissions Due Midterm Portfolio Readings Book Club Work Day
May 14
May 15 May 16 May 17
Part Three Annotations due  In-class writing and revision
In-class writing and revision Book Club Work Day
May 21
May 22 May 23 May 24 May 25
President's Day Holiday
Essay Three Microrevision
Argument Introduction  Book Club Work Day
May 28
May 29 May 30 May 31 Jun 1
IMemorial Day Holiday!
Research and Writing
Research and Write Book Club Work Day
Jun 4
Jun 5 Jun 6 Jun 7 Jun 8
Argument draft due for in-class response Micro-revision in class. Bring printed draft to class for review. Essay due for grading by midnmight

Portfolio Conferences: Bring revised essay three. Essay four returned Book Club Work Day
June 11
June 12 June 13 June 14 June 15
Literature Review 2 Due
Book Club Work Day
Book Club Presentations Book Club Presentations
Dead Day; No Classes, No Exams!
June 18
June 19 June 20
June 21 June 22
Finals.
Finals
Scheduled Final: 11:30 to 1:30
Faculty Work Day
Faculty Work Day

Book Club Information

Now that we have book clubs put together, it's time to get working on them. The goals are many, but primarily your book club will be responsible for a final presentation. In this presentation, you will be pitching your text to the executive board of the Arts and Entertainment Company (that's your teacher and the rest of the class) in the hope that your novel will be selected for a new TV series, movie, mini-series or something similar.

Getting Started

One of the first things it is important to do is to decide upon a reading schedule and set up some discussions, either online (you can use the chat box (for real time/synchronous) or a forum (for asynchronous) in the blog or just share email address or whatever you want, such as the blog itself). I suggest getting the book read as soon as you can so the research and development of the final project can get going and isn't rushed.

Midterm Presentation

The mid-term report will be about the first half of the novel: what is the story about, who are the characters, are they compelling characters, what are the story's conflicts and/or themes, what is your assessment of the writer's style, what predictions do you make for the rest of the book, what themes seem to be emerging, and anything else you find of interest or importance in the text and your group discussions. All of these points MUST be addressed in about 12 minutes time total. As a group, you are responsible for creating/revising a/the wiki in the class space covering the above listed topics. Be sure that everyone’s name is on it and that everyone contributes. In addition, each group will give a 12-minute oral report covering the same points. Each member of the group must deliver a roughly equal portion of the oral report. I suggest that the person who delivers the oral material on a particular portion of the topic also be the person responsible for writing up that material. Some group member can then take all the written material and put it into a single document.

Things to Cover

The below is what your project is expected to address at a minimum. 

The Final Project


DO NOT PUT ALL YOUR EGGS IN ONE BASKET! USE A VARIETY OF "DELIVERABLES" TO GET YOUR POINT ACROSS

Your final project is to take the form of a "pitch" to turn your novel into a movie, television series or mini-series. You can make use of your audience in anyway reasonable, and take the class anywhere on campus you need in order to make your pitch. You may use podcasts, videos, brief lectures or what have you, but you must vary the mode of presentation over the course of the class. Do not expect your audience to simply sit and listen to a lecture from a PowerPoint or to listen to a 50 minute podcast or video. That won't work.


A few things you might do:


What you must do:


create/revise a wiki entry for the class blog containing the basic information presented in the midterm, but through the whole novel. After that, how you use the 50 minutes is up to you.

Grading

Along with my making a determination of the project’s quality and effectiveness, you will also be grading the participation of each group member. Specific criteria can be found within the attached rubric.

A Note about Images and Sound

Both images and sounds are great things to have on websites, but  they need to be done properly, especially from a copyright and intellectual property perspective. In short, you are not allowed to just snag sounds and images from the web unless they are in the Public  Domain, which is not always easy to determine.  If you are uncertain,  I suggest you  email the person who has the images you want to use and  seek their permission.  When that sound or image is then used, it is expected that attribution be provided so readers of the site know where the information came from.  Sometimes, if you can't  secure permission, the image or sound can be included  by providing a link rather than placing the image itself within the site. We can talk about this as needed.

Literature Review Assignment

Both of the major writing assignments will follow the same process. Step one is to find a scholarly essay or book chapter, of at least 10 pages, and read and annotate as was discussed and practiced in class. From the annotations you are to compose a summary of the article. If you article is more than 10 pages, which it will likely be, you are to annotate and summarize the whole thing. If you cannot find an article or chapter of at least 10 pages, you my work with multiple articles and chapters and summarize them all.

Having summarized the essay, you are then to write between 500 and 750 words explaining how the essay(s) helped you better understand, enjoy or appreciate the texts the essay addressed.

Writing Assignment

You are going to annotate and summarize a piece of research/scholarship (minimum of 10 pages in length) regarding any of the readings through The Scarlet Letter, in whole or part (meaning a single poem, one of the groupings of poems, or all of them, or maybe something else, but talk to me about it if you are unsure). Following the annotation and summary, you are going to write 500-750 words describing how the summarized material has informed, enlightened or confused/complicated your understanding of the essay's topic. I'll be happy to talk individually or with the whole class about this, so be sure to ask if you need to.

Introduction

The introduction should do the following: provide article/essay author's name (full name on first mention), the title of the text being summarized, and the point the summary is seeking to make. Additionally, there should be some general background information about the point that will be raised by the thesis and response section of the essay.

Summary Clearly and Objectively Reflects Original Text

An effective summary does a number of things in order to describe as accurately and briefly as possible the substance or main ideas contained in a text:

  1. presents material in the same order as the original,
  2. provides a clear indication of each major/main detail,
  3. maintains the main idea and perspective of the original,
  4. devotes a proportional amount of material to that provided in the original,
  5. refrains from interjecting the summarizer's opinions (I think Orwell believes that . . . ),
  6. and the ideas are clearly acknowledged as those of the original author (Didion writes . . . ).

A few specific examples are okay, but the summary should not be overload with them nor consist almost completely of them.

Response presents student views on text

The response should develop and/or refine your idea(s) on some part(s) of the original. You need not respond to the whole essay (in fact, responding to all the reading or all the ideas in the reading will likely result in an under-developed response, which is why I suggest no more than three response points; the fewer points responded to, the better), but the more the response encompasses the over-arching ideas and concepts found wending their way through in the original, the more effective the response is likely to be. An effective response will link each of its points to a clearly and readily identifiable portion of the original and/or its summary. There are specific examples to illustrate the relationship between each point of the response and the summary/original. How do the various points/ideas fit with what you see happening in the world today? In making your views clear, this is the place to use specific examples from the original text as well as examples you might pull from elsewhere. When you either quote or paraphrase, provide a citation.

Conclusion

Generally speaking, a conclusion should drive home the point of the essay (as expressed by the thesis), creating a sense of finality and understanding. Not only does an effective conclusion go beyond restating points raised by the thesis and essay, it does so in a way that leaves the present essay concluded while also leaving the reader wanting to know more.

Paragraphs

Paragraphs should be coherent units of thought. Each should contain a topic statement/sentence that limits development to one idea/point, general and/or specific examples to illustrate the point, and some explanation establishing the relationship between the paragraph and the thesis. There is a clear topic sentence/statement, exemplary development through the use of examples both general and specific, and a clear explanation tying the material to the thesis. Ideally the material is ordered for greatest effectiveness.

Paragraph elements

This applies to your response much more than your summary.

  1. Open with a sentence that indicates the point of the paragraph: When considering the use of feminine rhyme schemes to highlight gender concerns, [essay author] compels future readings of the [text] to be seen anew.
  2. Second part of the essay makes it clear why the topic of the paragraph matters:
  3. Specific examples are provided, from both the research and the poetry/play to illustrate the point:
  4. Explanation is provided to tie the paragraph back to the thesis, to establish the relationship between the evidence of the paragraph and the claim of the thesis. In the writing of an argument, connecting these "dots" is essential in getting the reader to see things your way.

Historical Timeline 1492-1738

Time Line for early American History and Literature

Iroquois League—a confederation of tribes, almost something of a model for the colonies when they become states because each tribe maintains its identity as a separate entity while forming part of a greater whole.

Some Elizabethan Characteristics

  • Nationalist fervor of country, bolstered by defeat of Spanish Armada (much of which was sunk in a storm), beginnings of world colonization and trade--both of which were reflected in literature.
  • Renaissance learning and interest began to be more generally felt. English language enriched by borrowings from Latin, Greek, Italian, and French. Humanist ideals (exalt the human over the divine). Verse forms such as sonnet and blank verse became more familiar.
  • Religious controversy: struggles between Catholics and Church of England, and also among those of the High Church (similar in many ways to the Catholic Church) and the Low Church (Puritans).
  • Rhetoric is stylish and self conscious, showing relish for ornate and cleverly arranged words. Depended more on rhyme schemes than tropes (metaphorical figures of speech)
  • Reliance on amplification, exaggerated emphasis in interest of persuasive effect
  • Pathetic fallacies--attribution of living qualities to inanimate objects, primarily with animalistic hostility in inanimate objects.

Some Restoration Characteristics

Fashionable/popular literature of the era is a reaction against Puritanism. (Puritans wished to purify church of England by eliminating anything remotely smacking of the Catholic Church and its pomp--doing away with superstitious rites of church (such as transubstantiation where the wafer and wine are believed to actually become the real body and blood of Jesus Christ), taking communion sitting rather than kneeling, serious observance of the Sabbath, discarding apocryphal (spurious, doubtful, divinely uninspired) books of Bible.)

Although a time of anxiety and tension, recrimination and score settling, literature marked by love of gaiety, wit, and immortality, revival of interest in science.
Guiding Principles  
The Chain of Being: describes God's plentitude, unfaltering order, and ultimate unity. Every speck in creation has a place in the chain. There are also nine levels of devils to go with the nine levels of angels, but I have never been able to figure out where they go on the continuum. Most likely they fit below the earthly.
Earthly (bottom)
inanimate class: elements: earth, water, air, fire.
vegetative class: trees, bushes, weeds, etc.
sensitive class--existence, life, and feeling that has three levels Divine
Man's soul--bridge between earthly and divine
Angels (Angles bridge the gap between god and man)
Angels: triple divisions echo the Trinity
(contemplative) Seraphs, cherubs, thrones,
(Active in thought, not deed) Dominations, Virtues, Powers
(Active) Principalities, Archangels, Angels
God
Ether: each ruled in order by the angels above
primum mobile (outermost of 10 concentric circles making up the universe--that which is the cause of all movement but does not move itself.) the fixed stars, Saturn, Jupiter, Mars, the Sun, Venus, Mercury, and the Moon.
Among groups, there is one member who has Primacy:

Royal Colony*

A Royal Charter is a charter given by a monarch to legitimize an incorporated body, such as a city, company, university or such. In medieval Europe, cities were the only place where it was legal to conduct commerce, and Royal Charters were the only way to establish a city. The year a city was chartered is considered the year the city was "founded", irrespective of whether there was settlement there before. A Royal Charter is a charter granted by the Sovereign on the advice of the Privy Council, which creates or gives special status to an incorporated body. It is an exercise of the Royal Prerogative At one time a Royal Charter was the only way in which an incorporated body could be formed. Among the historic bodies formed by Royal Charter were the British East India Company, the Peninsular and Oriental Steam Navigation Company (P&O), and the American colonies.

Charter Colony*

Charter colonies were promoted through private enterprise under charters from the crown. Generally, they were established by groups of settlers who were granted charters by the king and had more control over their own affairs than did the other types of colonies, which were ruled more directly by the British. They were founded by trading companies, by lords proprietors and by squatters later incorporated. Colonies of the first type for the most part either disappeared or changed their status early. The Virginia Company lost its charter in 1624, the New England Council surrendered its patent in 1635, the Providence Island colony was conquered by Spain in 1641 and the Massachusetts Bay Company became a theocracy, leaving the Bermuda Company as the only one of its kind in control of a colony through the greater part of the 17th century. Connecticut and Rhode Island, founded as squatter colonies by dissenters from Puritan Massachusetts, received charters of incorporation early in the English Restoration (restoration colony).

Proprietary Colony*

The British kings repeatedly granted territory to one or more individuals, rather than to a chartered company. These men, called proprietors, or sometimes "Lords Proprietors", were invested not only with property under private law but also with gubernatorial authority to administer it with extraordinary authority, somewhat recalling the earl palatine before the Glorious Revolution. The method was most notably used during the early colonization along the Atlantic coasts of North America and the Caribbean by Great Britain. Most were run under a charter agreement, which is reviewed by the ruling Monarch. A good example is the Province of Pennsylvania, granted to William Penn (the state still bears the name meaning 'woodlands of Penn') by King Charles II of England. This type of indirect rule eventually fell out of favor as the English Sovereigns sought to concentrate their power and authority, and the colonies were converted to crown colonies, i.e. governed by officials appointed by the King.

*Thanks to Wikipedia for the information.