Act V: OY VEY!

I believe that Act V is very necessary to the integrity of this play, and for a few reasons. I found that Act V adds a quality of humor that tied the multiple elements of the play together rather well, for a sort-of..."happy ending". Though, the characters (other than Shylock) seemed to receive that. I enjoyed Act V, but it made me somewhat angry. At the beginning of Act V we have Lorenzo and Jessica comparing themselves to and discussing lovers throughout history. Such as Troilus, Cressid, Medea, Dido, Thisbe, and they seem to be caught inside this love-sick haze and la-de-da-ing about their love, etc when this man's (Shylock) life had just been shattered to pieces. It came off to me that there lives have instantly recovered from past events, and the fact that Shylock was ordered to convert to Christianity seems to be of no matter to them. Yes I am aware he was not the nicest of individuals and that he did not treat Jessica very well, but there comes this thought where you have to question the idea of respect and what it is, as well as human dignity. Did they just abandon their's entirely? This guy WAS SO WRONGED--he was discriminated against, spit on, hackled, etc and he wanted justice. I've read many times that Shakespeare wrote Shylock as the villain, yet Shylock had very redeeming qualities, especially within his dialogue. It's very complicated to really interpret whether or not he was set out to be labeled as a bad guy, but I can't help but take a little pity on him.

The Act really displayed how there lives seemed practically untouched by what this man had gone through, and was forced into with the conclusion. Maybe they felt that Shylock had gotten what he deserved, but I guess I'm too sensitive to just think one way. I feel for both sides. It just seems that now they can return to their "Christian" way of living and contently continue on all the while this man's life has been torn to pieces. It presented me with thoughts about how people will sometimes do whatever needs to be done, as fast as it can be done, in order to have contentment and security back in their lives. In the end everybody has their reasoning, and every character in this play had their reasoning so I just try to focus on that. I hold respect for that in itself. The Act that can be viewed in so many different lights, and there seem to be endless reasons as to why that is. So it is a difficult to really have a solid stance when everything seems rather subjective.

Overall, I feel that the play would have felt cut-off and absent of a fundamental element to tie everything together.

Did they know?

I would agree if Lorenzo and Jessica had recieved news of Shylock's fate, but I'm not so sure if they knew or not. After Portia and Nerrisa reveal themselves as the doctor and clerk, and Antonio finds his ships are safe Portia (line 288) says 'How now, Lorenzo?/My clerk hath some good comforts, too, for you.' Nerissa tells them about the money they will come to. 'There do I give to youa nd Jessica/From the rich Jew a special deed of gift,/After his death, of all he dies possessed of.' It makes me wonder if they actually knew what happened or not.

Megan Baeth-Brison

Jessica

I hadn't even really considered the beginning of the act with Jessica and Lorenzo. I was saying that if anything was thrown out, it should be that. But it does bring something about Jessica to light. She was just as hard on her dad as everyone else. If we label Portia as mean (which you may not) then Jessica was just as bad if not worse!

-Renee Ward

Oof.

I completely agree about Jessica! I feel so fickle when it comes to understanding my feelings about the characters, though. I feel one way, then something occurs in the play, and it changes my thoughts entirely. Or I just start having three different thought trains at once and I soon realize that I've given myself a headache. They all seem hot and cold with random redeeming qualities mixed in. BIG SIGH.

Jennie

As fast as we can

I'm impressed with how much quality stuff you found to say about this journal; I found myself at a little bit of a loss! You made the point that we'll often do whatever we can in order to have security back in our lives. I think that's a good point, but there's also the aspect that Shakespeare is working with a certain medium. He has a limited amount of time to tell the story and get on with things, and they didn't have music montages and other such special effects back then. I agree that as Jessica, I would have been more concerned for my father. She seems a somewhat one-dimensional character. She feels one particular way about her dad, and she doesn't have any depth.
I agree that the play would have been awkwardly cut off without act five.
Erin Kay Schulz

Oh, Jessica.

You and Renee both have great points about Jessica. I agree with you in that she is very one-dimensional, and seems to lack depth. She just seemed rather cold in her actions. Selling the ring for a monkey, or whatever it was? The one her mother had given her father? Aye, I just couldn't really get past that from then on.

Jennie

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