Journal 23: Welcome to the Phoenix
Contrary to my earlier posts, I would set this scene in a slightly, slightly more representational style. There would still be a few asides, but overall it's funnier when the audience knows something the actors seem to not know. However, the exaggerated facial expressions are a must along with ridiculous gesticulations. I imagine it on stage with a divider and closed door separating the Dromios and Antipholus. The audience would be able to see the people on both sides of the door, and this would increase the comedic aspect. Since the door and wall are there, the two parties would not be able to see each other and would be talking through the door. Then the characters could ham it up as much or as little as they want. Preferably more- they would make it funnier with the facial expressions.
So I guess I see it as simple and pretty much the way it is written. No fancy props, no serious life altering situations, just some fun with a door.


Welcome to the Phoenix, We've got fun and games...
I like the idea of representational portrayal of this scene because it is written so well. The words and the circumstances surrounding the scene are so bizarre and funny that it wouldn't be right to distract too much from the play.
Ryan K Bishop
Partial door, partial wall?
Are you envisioning a partial wall, or do you see it being a full sized door and wall? In this case, a select few audience members would see the whole thing, whereas most would see one side or the other. This could be cool... two different theater experiences. Just wondering.
Erin Kay Schulz
Yes...
I think I'd have to play around with it a little more. I like the idea of a partial wall, but it makes it harder to act for the performers. Perhaps a full sized door and a partial wall? I don't really know. I think it would depend on the space and how I was staging the rest of the play.
Renee